Laura Beltz Imaoka


Senior lecturer, university of texas at dallas

About

Laura Beltz Imaoka is a learning practitioner in the digital humanities. She supports practice-based learning that complements traditional forms of assessment. Her research interests engage the areas of visual studies, film and media studies, and critical geography with a particular interest in the political economy of geospatial technology, ecomedia, and the (geo)spatial imagination of disasters.

Laura has published in the edited collection, Extreme Weather and Global Media (Routledge, 2015), as well as collaboratively in Environmental and Planning A and The Canadian Geographer. Currently, Laura is a Senior Lecturer for the Schools of the Arts, Technology, and Emerging Communication at the University of Texas at Dallas where she teaches courses in Critical Media Studies. She received her Ph.D. in Visual Studies from the University of California, Irvine, and her M.A. in Anthropology from California State University, Northridge.

Teaching

Digital Content Design
2018-2019 | Arts, Technology, and Emerging Communication 3301
University of Texas at Dallas
Students gain competency in four areas: art and design, computer programming, business/marketing, and writing/communication. This writing-intensive course blends theory and practice to increase the effectiveness of text prepared for digital media. Students will design, compose, and evaluate information to improve audiences’ utility and satisfaction. Topics include the organization, logical development, structuring, and ethical presentation of information.

Reading Media Critically
2018-2019 | Arts, Technology, and Emerging Communication 2230
University of Texas at Dallas
This course addresses how to think and write critically about media and society. Throughout the semester, we will develop a conceptual toolbox that allows us to explore, critique, and speculate on the culture we produce and consume. We will discuss foundational ideas in critical theory and relate these ideas to current social issues and media productions. Theory works when it shapes how we talk about the world and enables us to trace potential avenues for changing it. Therefore, throughout the semester we will build on the theoretical knowledge of the course to think collectively about how media could operate otherwise.

Critical Media Research Foundations
2017-2019 | Arts, Technology, and Emerging Communication 2230
University of Texas at Dallas
This course focuses on scholarly research and writing. Students will practice critical media analysis supported by close reading; learn how to identify and incorporate appropriate secondary sources; and learn to build arguments through thesis-driven writing. While a number of media will be examined in the course, the chief emphasis will be on developing media literacy in support of research and writing rather than on the particular details of any one medium.

Critical Media Theories
2017-2018 | Arts, Technology, and Emerging Communication 3320
University of Texas at Dallas
We live in a media-saturated world, surrounded by the pervasiveness of social media, texting and blogs, gadgets and Google, YouTube and gaming, mobile media and big data. This introduction to the history and theory of digital communications examines ways of thinking about, and with, newer forms of media. The course will take a critical view of “new” media while narrowing in on how the Internet and its workings are transforming culture, entertainment, business, political engagement, our experience of subjectivity and identity, and our ideas of social connection. Students will be required to analyze their own use of these new technologies and to think critically about our digitized, media landscape.

Mediated Textuality
2017-2019 | Arts, Technology, and Emerging Communication 4326
University of Texas at Dallas
“New media may look like old media, but this is only the surface.” If we drill down far enough into any form of the digital we arrive at the level of binary code: 1s and 0s. This material commonality draws our attention to the layers digital objects possess from the surface, where text almost always coexists with images, links, and sound, to the source code. This production-intensive class tasks students with multimodal, multimedia composition. The class focuses on understanding the signifying strategies of and relationships between different media formats in their analog and digital forms while taking note of their historical contingencies along the way. It introduces the theoretical and material connections between text, image, sound, and moving image, detailing the unique affordances of each while considering how these layers play out atop a foundation of binary code, or that common materiality that makes the text object both digital and mediated. Students will learn to convey narratives and ideas in multiple media formats completing a portfolio composed of four separate digital media objects and a short paper, each of which foregrounds certain modes of making meaning.

Green Screen and Ecomedia
Summer 2015 | Film & Media Studies 39W – Writing on Film & Media
University of California, Irvine
This course will interrogate how various media such as fiction films and documentaries, television series, news media, and political activist campaigns have operated as sites for representing and engaging environmental issues such as climate change, pollution, the shortage of sweet water, the mass extinction of species, animal cruelty, and genetic modification. Examining various visual texts such as Hollywood movies with environmental themes, ecocritical documentaries such as An Inconvenient Truth (dir. Davis Guggenheim, 2006, USA), large-scale nature documentaries such as BBC’s acclaimed series Planet Earth, The Weather Channel, and Greenpeace’s media campaigns, this course will explore how past and present media constructs images and stories of human interaction with the environment. It will also examine the ideological assumptions and repercussions of these narratives on the agenda of national and transnational environmental politics. This is a writing intensive class, designed to hone student’s ability to critically think and write about popular media.

Disaster Cinema
Summer 2014 | Film & Media Studies 112 – Genre Study
University of California, Irvine
“Disaster movies” are films in which disaster – whether human or environmental, alien or accidental – is central to its commercial spectacle and audience appeal. But there are more to disaster movies than spectacular scenes of death and destruction. This course examines the spectacle of disaster as it is conceptualized, narrativized, and marketed in Hollywood and international cinemas. It follows the genre as it has historically developed and cycled through several generations and times of crisis since the 1970s. It will address the following questions: How do we imagine disaster cinematically? Why do filmmakers make disaster films when they do? In what ways do disaster films reflect the social, cultural, and political developments of the time in which they are made? Actual disasters such as 9/11 and Hurricane Katrina will be discussed alongside disaster movies to consider how the “imagination of disaster” evolves and responds to our contemporary situation.

CV

ACADEMIC APPOINTMENTS
Senior Lecturer (2017-Present)
University of Texas at Dallas
School of the Arts, Technology, and Emerging Communication

Humanities Research Associate (2016-2017)
University of California, Irvine
School of Humanities

Instructor of Record (Summer 2014; Summer 2015)
University of California, Irvine
Department of Film and Media Studies

Teaching Assistant (Fall 2011-Spring 2016)
University of California, Irvine
Department of Film and Media Studies

Teaching Assistant (Fall 2006)
California State University, Northridge
Department of Anthropology, 2006


EDUCATION
Ph.D. Visual Studies (2016)
University of California, Irvine
Dissertation: Mapping Risk: Geospatial Technology as Disaster Media
Advisory Committee: Peter Krapp (chair), Victoria E. Johnson, and Patricia Seed

M.A. Anthropology (2007)
California State University, Northridge
Language Certificate in Japanese
Thesis: Consuming & Creating Difference: The Underground Anime and Jrock Movement among American Youth

B.A. Anthropology and Art History (2003)
University of California, Santa Barbara


TEACHING & RESEARCH AREAS
Critical media studies, visual studies, film and television studies, critical geography, critical GIS studies, disaster studies, ecomedia

RESEARCH
Peer-Reviewed Journals and Publications
Co-author with Jim Thatcher. 2018. “The Poverty of GIS Theory: Continuing the Debates Around the Political Economy of GISystems.” The Canadian Geographer/Le Geographe Canadien 62(1): 27-34.

Co-author with Jim Thatcher, Luke Bergmann, Britta Ricker, Reuben Rose-Redwood David O’Sullivan, Trevor J. Barnes, Luke R. Barnesmoore, Ryan Burns, Jonathan Cinnamon, Craig Dalton, Clinton Davis, Stuart Dunn, Francis Harvey, Jin-Kyu Jung, Ellen Kersten, LaDona Knigge, Nick Lally, Wen Lin, Dillon Mahmoudi, Michael Martin, Will Payne, Amir Sheikh, Taylor Shelton, Eric Sheppard, Chris W. Strother, Alexander Tarr, Matthew W. Wilson, and Jason C. Young. et al. 2016. “Revisiting Critical GIS.” Environment and Planning A 48 (5): 815-824.

“Rain with a Chance of Radiation: Forecasting Local and Global Risk after Fukushima,” in Extreme Weather and Global Media, edited by Diane Negra and Julia Leyda, 191-214. New York and London: Routledge, 2015.

Keicho Map of Japan. Map: Exploring the World, edited by Tim Cooke, 181. London: Phaidon Press, 2015.

Map of Edo, Japan. Map: Exploring the World, edited by Tim Cooke, 97. London: Phaidon Press, 2015.

“GIS: Making Location Valuable.” Media Fields Journal 6, 2013.

“Consuming and Maintaining Difference: American Fans Resisting the Globalization of Japanese Popular Culture.” disClosure 19: 73-82, 2010.

Online Publications
“Repurposing Place Online: Japan’s Push for Foreign Tourist after 3.11,” STS Forum on the East Japan Disaster, May 11, 2013.

“Pixels and Post-Tourism,” In Media Res, February 28, 2011.

“The Ambassadors of Cute: Helping or Hurting Japan’s Global Image?” In Media Res, April 27, 2011.

“American Fans Resisting the Globalization of Japanese Popular Culture?” Otaku2, July 17, 2008.


AWARDS AND GRANTS
Summer 2016 Graduate Dean’s Dissertation Fellowship
2016 UC Humanities Research Institute Travel Grant
2015-16 Outstanding Film & Media Studies Teaching Assistant Award
2015 UC Humanities Research Institute Travel Grant
2014 Graduate Student Research and Travel Award
2013 Robyn Shikiya Memorial Graduate Award in Visual Studies, UC Irvine
2012-13 Outstanding Film & Media Studies Teaching Assistant Award
2012 Humanities Center Collaborative Conference Grant, UC Irvine
2010 Regents Fellowship, UC Irvine
2007 Keith Morton Memorial Scholarship, Department of Anthropology, CSU Northridge
2005-2007 Graduate Equity Fellowship, CSU Northridge


ACADEMIC TALKS & WORKSHOPS
Conferences Presentations
“Behind the Map,” at the Humanities Commons Graduate Research Slam; UC Irvine, California, May 27, 2016.
“Platform Capitalism: The Speculative Value of ArcGIS,” at the Association of American Geographers Annual Meeting; San Francisco, California; March 30, 2016.
“The Risk Society, GIS, Communication, and Capitalism,” at Design and the Anthropocene conference, Pecha-Kucha presentation; UC Irvine, California, December 4, 1015.
“Mapping Fukushima: A Closer Look at Risk and Media Practice,” at the UC Irvine “Anthropology in Transit” Graduate Student Conference; UC Irvine, California, April 25, 2014.
“Mapping Risk: Geographic Information Systems as Disaster Media,” at the Associated Graduate Students Symposium; UC Irvine, California, April 18, 2014.
“Mapping Drama with Information: Risk Communication Following Fukushima,” at the Association of American Geographers Annual Conference; Tampa, Florida, April 8, 2014.
“Mediated Maps: Geographic Interoperability Issues Following Global Disasters,” at the Society for the Social Studies of Science (4S) Annual Conference; San Diego, California, October 10, 2013.
“Networking Resistance: The Online Manifestos of American Fans of Japanese Popular Culture,” at the Digital Youth in East Asia Conference, Institute of Contemporary Japanese Studies, Temple University, Japan Campus; Tokyo, Japan, June 21, 2008.
“Imagining the Global Landscape: Viewing Japan from Abroad,” at the Anthropology of Japan in Japan Symposium; Tokyo, Japan, Nov. 18, 2007.
“American Youth Identity and the Changing Views of the Japanese Other,” at the 11th Annual Student Research & Creative Works Symposium, CSU Northridge; Northridge, California, Dec. 1, 2006.
“The Globalization of Japanese Popular Culture,” at the 30th CSU Social Sciences Student Research Conference, CSU Northridge; Northridge, California, May 4, 2006.
“Globalization of Japanese Popular Culture: Japan Reimagined,” at the Anthro/Expo Symposium, CSU Northridge; Northridge, California, Dec. 7, 2005.
“Global Anime: Japan Reimagined,” at the 10th Annual Student Research & Creative Works Symposium, CSU Northridge; Northridge, California, Nov. 11, 2005.

Panel Member
Visual Studies Workshop on Academic Publishing; Irvine, California, November 16, 2015.
#CritGIS: The Political Economy of Geospatial Technologies, Association of American Geographers Annual Meeting; Chicago, Illinois April 23, 2015.
Digital Tools for Research, at Digital Humanities at the Humanities Commons Workshop Series, UC Irvine, February 3, 2015.
Topics in Globalization, at Anthro/Expo Symposium, CSU Northridge; Northridge, California, March 21, 2007.

Invited Lectures
“Spectacle and Narrative,” for Film & Media Studies 85A: Film and Visual Analysis, UC Irvine; Irvine, California, November 3, 2014.
“Teaching Geography through Cultural Products,” for Education 177: Geography Education, UC Irvine; Irvine, California, April 18, 2012.
“Godzilla vs. Gojira,” for Film & Media Studies 101B: The Sound Era I, UC Irvine; Irvine, California, June 5, 2013.
“Consuming Difference through Popular Culture: Japan in America,” for combined Sociology and Asian Studies course, Temple University, Japan Campus; Tokyo, Japan, September, 25, 2008.
“East to West: Recentering Japanese Popular Culture,” for Sociology 297: Ideology and Social Changes in Japan, Temple University, Japan Campus; Tokyo, Japan, February, 21, 2008.
“Consuming & Creating Difference: The Underground Anime and Jrock Movement among American Youth,” for New Major in Language & Cultures Celebration, CSU Northridge; Northridge, California, May,3, 2007.
“Male Beauty and the Performance of Female Gender in Modern Japan,” for Anthropology 308: Women, Sex Roles, and Culture, CSU Northridge; Northridge, California, April 2007.

Workshops
Reflective Teaching Seminar, Center for Teaching and Learning, University of Texas at Dallas, Fall 2018-Spring 2019
Humanist@Work, UC Humanities Research Institute Workshop; Sacramento, California, November 8-9, 2016, and Los Angeles, California, May 8-9, 2016.
Institute for Pure and Applied Mathematics, Cultural Analytics Workshop Tutorials, and Cultural Analytics and User Experience Design; UCLA, California, March 8-11 and April 11-15, 2016
Revisiting Critical GIS Meeting, Friday Harbor Laboratories, Washington, October 17-20, 2014.
STS Forum on the 2011 Fukushima/East Japan Disaster, UC Berkeley, California, May 11-14, 2013.


PROFESSIONAL APPOINTMENTS
Esri (Environmental Systems Research Institute) – Student Assistant, annual Esri User Conference, San Diego, CA, July 2014.
Educational Testing Service (ETS) – Professional Scorer for the California High School Exit Exam, 2010.
Temple University, Japan Campus – Student Services Coordinator, 2008-2009.
INTERAC – Assistant Language Teacher for Public Elementary and Junior High Schools in Tokyo, 2008.
GEOS for Children – English Conversational Instructor in Tokyo, 2007-2008
California State University, Northridge – Undergraduate Student Advisor, Department of Anthropology, 2007.
Griswold Conservation Associates, LLC. – Art Conservator Technician, 2004-2007.
Santa Barbara Museum of Natural History – Curatorial Assistant, William Randolph Hearst Scholars in Museum Studies Program, 2003.


AFFILIATIONS
Society of Cinema and Media Studies
Society for Social Studies of Science
Association of American Geographers


SKILLS
Advanced qualitative visual, media, and historical research skills in arts/humanities
Advanced qualitative and quantitative skills in ethnographic research methods, including participant observation, surveying, and interviewing
Proficiency in Windows and MAC OS X operating systems and Office Suites, including Microsoft Word, PowerPoint, Prezi, and Photoshop Elements
Basic proficiency in ArcGIS x (ArcMap and ArcCatalog)